Film @ The Digital Fix. In terms of documentary filmmaking, the Maysles Brothers’ Salesman must be regarded as a brilliant and ground- breaking piece of work, displaying an admirable degree of apparent impartiality in their filming of the activities of a group of four door- to- door Bible salesmen, doing the Lord’s work selling their wares across the country to initially reluctant customers who simply just hadn’t yet realised how much they needed a deluxe bound Catholic Bible in their homes.
More than being significant for the manner in which the Maysles managed to inconspicuously blend into the background while the men go about the daily work, or for the technical accomplishment of capturing the essential moments on changeable ten- minute reels of celluloid, is the filmmakers ability to identify the real drama that is being played out gradually before their eyes - the weakness of one of the salesmen and his declining faith in his ability to clinch the deal - and their skill in bringing this often unspoken narrative drive visually to the forefront. Despite all the advances of modern business management skills and courses in marketing techniques, the underlying principles remain the same now as they did when Salesman was made in 1. If you fail to make progress at any stage, it’s best to make an early exit and get on to a better prospect. That is the dilemma faced by Paul Brennan . The drama in Salesman is just as intense, just as life- or- death, only here it’s for real.
The pressures involved are obvious – not just from the heavy leaning- on the team by their sales manager Kennie at the sales conferences and pep talks, but from the competition between each of the men. It never reaches the levels of vicious backbiting and underhand scheming of Glengarry Glen Ross, but the consequences are just as clearly evident. The other members of the team deal with their losses and move on, while Paul struggles with his failures.
A landmark American documentary, Salesman captures in vivid detail the bygone era of the door-to-door salesman. While laboring to sell a gold-embossed version of the. Forushande (The Salesman) is the story of a couple whose relationship begins to turn sour during their performance of Arthur Miller's Death of a Salesman. The Salesman movie reviews & Metacritic score: After their old flat becomes damaged, Emad (Shahab Hosseini) and Rana (Taraneh Alidoosti), a young couple livi. Find great deals on eBay for death of a salesman dvd and the vow dvd. Shop with confidence.
The Salesman release dates for all versions in all countries. The Salesman (2016 film). The Salesman; Theatrical release poster. Directed by: Asghar Farhadi. Owen Gleiberman wrote in Variety that 'The new movie from. Buy Salesman (The Criterion Collection) on Amazon.com FREE SHIPPING on qualified orders. I really enjoyed watching Death of a Salesman, and it is a great companion to the play. The movie really flowed from scence to scene well, making it very realistic. Salesman DVD movie video in stock at CD Universe, Directors Albert and David Maysles and Charlotte Zwerin are probably best known for their documentary of the. The Salesman in US theaters December 9.
The tension that this gulf creates between the younger men and the old- hand is palpable and painful. They are not unwilling to help, taking him on joint operations, but when it becomes evident that he is not willing to help himself, and is only costing them sales they could have made themselves – vital commissions that are the only income they receive – the shutters rapidly come down.
Paul’s sense of loss and failure is evident in his inability to deal with the confusing road signs of Miami beach, in his increasingly downbeat monologues in an Irish brogue and in his very expression as he silently ruminates on his situation. It can also be seen on the faces of his colleagues as they watch him sink.
The Maysles capture the essential moments of this sad decline in a way that is remarkably compelling and deeply human – characteristics that make this film just as powerful now as it undoubtedly was when it was first shown. The film is presented on a dual- layer disc in NTSC format and is not region encoded.
Shooting on 1. 6mm film stock in black- and- white, there is inevitably quite a bit of grain visible, particularly considering the age of the material and the conditions in which it was shot, inevitably making use of whatever natural light was available in the day- to- day location shooting. Nevertheless, the transfer handles this tremendously well, without a trace of the dot- crawl or macroblock shifting that might be expected in such difficult material. Moreover, the tones are correct throughout and there is not a visible mark on the print.
It hard to imagine that this could look much better. Inevitably, making a documentary on the run like this, the dialogue can often be difficult to make out clearly, particularly when the characters mumble incoherently, or when several people are talking over each other. Again however, it’s as good as it could possibly be and, helpfully, English hard of hearing captions are available. In an effort to be comprehensive, they do often stretch to three lines, but seem to capture every nuance.
They are in a white font, clearly readable and are, of course, optional. What is included however is informative and worthwhile. The main feature is a newly filmed Interview with Albert Maysles (3. Salesman. There is rather too much time spent on the formal aspects of the filming, but technical buffs will enjoy seeing the original camera and see how it was operated. Much more fascinating however is a Kennie Turner and Albert Maysles Q& A (1.
Kennie Turner is the actual sales- manager seen in the film, and he reminisces about the period and the people he worked with. The Original Trailer Trailer (3: 1. A 3. 6- page booklet is also enclosed which, as ever, is beautifully illustrated with promotional and behind- the- scenes stills and contains a reprint of Howard Junker’s original 1. Production Notes on the film, which provide a wealth of background information on the Maysles, the film, its themes and the technical details of its making. I’m no salesman, and even as a reviewer of DVDs and films, my work is not about selling a product, but a form of salesmanship is involved nonetheless since I’m trying to sell my opinion. Hopefully, I’ll have delivered my pitch well here, established a level of connection that the reader might identify with in the film, and sold you on the fact that Salesman is a richly rewarding film and relevant to you. And I’m prepared to offer a lifetime guarantee of total satisfaction on that.
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Death of a Salesman (1. DVD. Dustin Hoffman stars in this 1. Death of a Salesman.